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Triangle-a plane figure bounded by three sides and having three angles Placing an element along its circumference can induce an apparent rotary motion within the circle.Placing a circle in the center of a field reinforces its inherent centrality.Centralized, introverted figure that is normally stable and self-centering in its environment.The mind will simplify the visual environment in order to understand it.Ĭircle-a plane curve every point of which is equidistant from a fixed point within the curve Silhouettes and contours of building forms.What types of shapes concern us in the architecture and interior design fields?
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A form’s surroundings influence our ability to read and identify it.The lighting conditions can affect the clarity of the shape and structure of a form.The distance between us and a form determines its apparent size.A change in perspective of view presents different shapes of a form to our eyes.What conditions could affect these properties? Visual Inertia-degree of stability of a form, depends on the geometry of a form as well as its orientation Orientation-direction of a form relative to the ground plan, other forms, or the person viewing the form Position-location of a form relative to its environment Texture-visual and tactile quality of a form, determines the degree to which the surface of a form absorbs or reflects light Size-physical dimensions of length, width, and depth of a formĬolor-the attribute that most clearly distinguishes a form from its environment, also affects a form’s visual weight Shape-characteristic outline or surface configuration of a form, *principal aspect of form* In this context, reference to both internal structure and external outline manner of arranging the elements and parts of a composition to produce a coherent imageĤ. A particular condition in which something manifests itself (i.e. Spaces and in the spaces around buildings.”ġ. In using and relating these elements, both in the interior
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The quality of theĪrchitecture will be determined by the skill of the designer Quality or spirit that articulates space. Modulation of light and shade, color, all combine to inject a
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Ching has once again created a visual reference that illuminates the world of architectural form.“Architectural form is the point of contact between mass and space … Architectural forms, textures, materials, Architects and students alike will treasure this book for its wealth of practical information and its precise illustrations. Doubtless, many will want this handsome volume for the sheer beauty of it. Ching's signature style, also serves as a guide to architectural drawing. This rich source of architectural prototypes, each rendered in Mr. Ching has retained the style of his hand-lettered text, a hallmark of each of his books. In the Second Edition of Architecture: Form, Space, and Order, the author has opted for a larger format and crisper images. * New glossary and index categorized by the author * Expanded sections on openings and scale In addition, the Second Edition contains: While this revision continues to be a comprehensive primer on the ways form and space are interrelated and organized in the shaping of our environment, it has been refined to amplify and clarify concepts. Among the topics covered are point, line, plane, volume, proportion, scale, circulation, and the interdependence of form and space. Here, Ching examines every principal of architecture, juxtaposing images that span centuries and cross cultural boundaries to create a design vocabulary that is both elemental and timeless. The result is a beautifully illustrated volume that embraces today's forms and looks at conventional models with a fresh perspective. Each page has been meticulously revised to incorporate contemporary examples of the principles of form, space, and order-the fundamental vocabulary of every designer. The Second Edition of this classic introduction to the principles of architecture is everything you would expect from the celebrated architect, author, and illustrator, Francis D.